Sarcasms And Fake Orgasms

Reblogged from dorkvader

arinky-dink:

Mew, you little shit. You broke the flow

And yes, I will tag all these little shits. Just you watch

Reblogged from dncx91

littlelimpstiff14u2:

 The Ghostly Sculptures of Bruno Walpoth

Ghostly sculptures of Bruno Walpoth. Life-size, his powdered beauties, as if in opposition to their ghostly stature, seem heavy and grounded, their gazes locking whomever sees them into a spiritual arrest.

Working with traditional sculptural methods, Walpoth’s work is almost alchemical in quality.  Muscles, eyes and fingers that have been carved into wood (lime and walnut) or covered with lead leaf foils, seem soft and supple, sad and pensive. Idealistically beautiful, his figures show signs of bones and sinew under fragile skin.

Marks from carving tools show on the surface of the wooden bodies, and serve as quiet reminders that these creatures are not human. The marks break what anthropomorphizing has taken place and the observer is introduced to (or reminded of) the artist.  In a strange way, that break makes these works even more fascinating; they make clearly visible the love that has been passed from the creator to the created.

“Contrary to Geppetto, who constructed himself a child (Pinocchio) out of a piece of wood to banish his loneliness, Bruno Walpoth attempts, perhaps out of awareness of life’s transience, to immortalize the volatile spark of youthfulness he catches in the eyes of his models – sometimes his own children – into a wooden sculpture,” writes Absolute Art Gallery‘s Diana Gadaldi.  Walpoth’s figures are also reminiscent of the children in the paintings of Dino Valls and Gottfried Helnwein, yet are not so tortured nor forced into adulthood.  They are more ghostly, or perhaps more Buddhist, as if silently accepting of a new maturity.  Ms. Gadaldi also states that “[they] seem to be immersed in a moment of intimate meditation. Their detached attitude and dreamy expression are characteristic for the stage of life they are going through: one of slow but inexorable physical and psychological development. As they evolve from children to adolescents and from adolescents to young adults, the first traces of self-consciousness and emotional involvement appear on their often still infantile faces.”

http://www.walpoth.com/wood.html

http://www.modernism.ro/2012/02/19/ghostly-sculptures-of-bruno-walpoth/

Holy shit

Reblogged from nvaderxim

samswritingtips:

A breakdown of medieval armor, since a lot of pieces are required to create a full suit.

Thank you for this

Reblogged from nvaderxim

raxenne:

hatboy:

Tala, Haliya, Magwayen {2013}

So last year, I went to Hong Kong. Because I won an art contest thing. I haven’t been out of the country in a while so it was a welcome change of pace and scenery. I actually had meant to make a long post about it late last year. But after I got back, I was greeted with a series of unfortunate events. And eventually I just never got around to it.

Part of the conditions though for my Hong Kong trip was to create more art for an exhibit there. The point of the exhibit was to tell stories of mystique and being Filipino. So I came up with the above paintings all based on three goddesses in the Philippine mythological pantheon. They’re all a bit rough, but I was in a bit of a rush. I see so many faults in all of them that it’s driving me nuts. But I was happy with them at the time, now I’m not so sure.

It could be better. But whatever.

At least I got to Hong Kong and I think I was able to communicate my stories well enough. Well enough that I sold the canvas prints to a lovely couple. So these paintings are now probably hanging in their apartment in Hong Kong.

Aside from the sweet validation, it was also kind of a relief that I sold out actually. I brought my tablet along for repairs but without really any money to pay for it, but it all worked out.  Plus, I got a bit of extra shopping money. I bought art materials mostly.

But the whole time before the night of the exhibit had ended, I was worried I wasn’t going to sell and that I would have to lug those massive canvases back to the Philippines along with a still-broken Intuos. It would’ve been so devastating.

Anyway, it was a great trip. It was pretty soul-enriching. Met a lot of really cool people and made a few new friends. And I learned a lot through the process of making these though, despite not being entirely happy with them. I always make it a point to experiment and try something new with every serious painting. I think that’s important, but sometimes I end up with glorious failures. But then again, my most unforgiving critic is myself.

So nice, Vaughn! :)

I died

Reblogged from foodvalley

I died

(Source: oneshittyblog)

Reblogged from nvaderxim

fucktonofanatomyreferences:

Another superb fuck-ton of head angle references.

Yes

Reblogged from sho--yu

(Source: chineseassasin)

Reblogged from thechocolatebrigade

LOTR Cast on Elijah’s eyes

HAHAHAHA

(Source: couchpotater)

Reblogged from lex-apro

aabrakadabraaa:

Tokujin Yoshioka's project 'snow' is a dynamic 15-meter-wide installation. It consists of a scene depicting hundreds of kilograms of light feathers blowing all over 
and falling down slowly is meant to remind us of the snow scape of our memories and the beauty of nature which often exceeds our imagination. visitors to the exhibition 
experience the feeling of looking at or walking through a snowstorm.

(Source: i-chig0)

Reblogged from feminaut

(Source: fonokasszony)

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